busy
 
Wednesday, December 30, 2009
 
I GOTTA GET DRUNK
Willie Nelson
1970
Available on : One Hell Of a Ride
Sony : 2008
[Buy It]

PUNKS IN THE BEERLIGHT
Silver Jews
Tanglewood Numbers
Drag City : 2005
[Buy It]

FAIRYTALE OF NEW YORK
The Pogues
If I Should Fall From Grace With God
Island : 1987
[Buy It]

The other day, a friend commented on the prevalence of alcohol in adult life. "All social events revolve around booze", he said, and I had to put my glass down just long enough to agree. Dinner parties should really be called wine parties. Office functions quickly descend into dysfunction. And special occasions are made for toasting. Yes, growing up and drinking seem inextricably linked. Not that I'm complaining. I like my beer and my whiskey and my anything else you hand me. There's comfort and convivial warmth in alcohol. A few glasses and your cheeks flush pleasantly, conversation sparkles, and the night takes on a hazy dazy glow.

Not surprisingly, there are plenty of songs about booze. Indeed, many of them seem marinated in the stuff. Musicians like their vices, and so, there's an entire bar menu of approaches--Richard and Linda Thompson's hopeful determination ("I Want to See the Bright Lights Tonight") and Casiotone for the Painfully Alone's woozy regret ("New Year's Kiss"). There's George Thorogood's cocky battle cry ("I Drink Alone") and the amusing musings of Stephen Merritt ("Too Drunk to Dream").

But a common thread throughout is love. Which makes sense. Booze is an emotional defense and well, love is a battlefield. We may have different orders to dull our pain (Guinness for me, please), but it all comes from the same wretched place. Take Willie Nelson's "I Gotta Get Drunk". The title pretty much says it all. But he expands on the statement:
I sure do dread it, cause I know just what I'm gonna do
I start to spend my money calling everybody honey then wind up singing the blues
Sure, he'll regret it. But he knows himself well enough to know he's gotta do it anyway. This is the sort of content resignation all gluttons for punishment can identify with. And I am the biggest glutton of all. Week after week, I recall the consequences, and yet off I go into dimly lit dives and cocktail lounges, ready to dim my senses. In the same way, I know there's danger, and yet, every time, I offer up my heart with reckless abandon .

So why do we do what we do when we know that it hurts to do it? Well, human nature is a bit of an idiot. And apparently it likes a good glass of wine.

"Punks in the Beerlight" adds a drinking partner to the mix. Now there are two 'burnouts in love' discussing their rather regrettable habits. You get the feeling they're singing both about the perils of drinking and of loving each other. Like Willie, David Berman's lyrics are self-aware as he sings to his lady friend. Interestingly, her only line in the song is less so - in fact, it seems almost delusional:

"If it ever gets really really bad, if it ever gets really really bad.." she sings.

Without missing a beat, he shoots her down: "Let's not kid ourselves - it gets really, really bad."

And he's right. Both pursuits are intoxicating, and both can lead to mortifying disaster. But oh how fun they are along the way. Sure, I'd trade in a few hangovers if I could. But those misteps and mistakes in love - they're the things that shape that wonderful thing called experience. And the neurotic optimist that is me.

Perhaps the greatest anthem of love and drunkenness is the Pogues classic, "Fairytale of New York". And it's a fitting choice for this time of year, of course. The holidays are upon us, and so is that frenetic, almost desperate desire to be merry and not overly bright. Shane McGowan and the late Kristy MacColl do a glorious job of dancing between the happy holidays of two tipsy kids in love and the bah humbug of a failed relationship. And they do it all in perfect, drunken harmony.

Sinatra was swinging, all the drunks they were singing
We kissed on the corner, then danced through the night.
Now, this song could seem depressing--it is Christmas Eve in the drunk tank, after all. And yet, there is a strange optimism about the whole thing. Which is probably due to the setting. New York, like the night stretched before you, is always full of promise. And so, away they go, and live to tell the tale. Which is something we can do too. Drunkenness, like love, might leave us with a crushing ache. Our heads and hearts might be broken in the morning. We might swear off one or the other, vowing to be sober! To be single! And yet, all it takes is a little bit of encouragement--a greasy brunch, a new flirtation--and like fools, we're ready to take the plunge again.

Cheers to that.

--Posted by Madeleine

Labels: ,



posted by Ben
LINK |