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Wednesday, December 06, 2006
SEX
The Pipettes We are the Pipettes Memphis Industries : 2006 [Buy it]WILDFLOWERGhostface Killah Ironman Razor Sharp / Epic Street: 1996 [Buy it]DON'T CHA (PUSSYCAT DOLLS COVER)Xiu Xiu Tu Mi Piaci Acuarela : 2006 [Buy it] With a name as tawdry as Moistworks, it was inevitable that this blog would eventually take a pornographic turn - but who knew it would happen in the span of a single post? Having lived in houses with spacious yards for many years, I don't have any good neighbors-fucking stories. I have plenty of roommates-fucking stories, but my roommates would probably not be pleased if I shared them here. In keeping with our new format, then -- "all smut, all the time" -- I offer you the late Harold Brodkey; abuser of colons and semi-colons and plummy run-on sentences; author of some of the most lurid, epic, fantastical, megalomaniacal orgasms ever set in print. For continuity's sake, I suggest having a neighbor read it to you, in an appropriately steamy voice, from the other side of a wall. What's exceptional about this excerpt isn't its insight -- in fact, it borders on caricature -- but the fact that anyone would have the sheer audacity to write such a sumptuously ridiculous thing: Her mouth came open, her eyes had rolled to one side and stayed there - it felt like twilight to me - I knew where she was sexually, or thought I did. She pushed, she egged us on. She wasn't breakable this way. Orra. I wondered if she knew, it made me like her, how naive this was, this American fuck, this kids-playing-at-twilight-on-the-neighborhood-street fuck. After I seated it and wriggled a bit in her and moozed on her clitoris with my abdomen, I would draw it out not in a straight line but at some curve so that it would press against the walls of her cunt and she could keep track of where it was; and I would pause fractionally just before starting to thrust, so she could brace herself and expect it; I whomped it in and understood her with an absurd and probably unfounded sense of my sexual virtuosity; and she became silent suddenly, then she began to breathe loudly, then something in her toppled; or broke, then all at once she shuddered a different way. It really was as if she lay on a bed of wings, as if she had a half-dozen wings folded under her, six huge wings, large, veined, throbbing, alive wings, real ones, with fleshy edges from which glittering feathers sprang backward; and they all stirred under her.
She half-rose; and I'd hold her so she didn't fling herself around and lose her footing, or her airborneness, on the uneasy glass mountain she'd begun to ascend, the frail transparency beneath her, that was forming and growing beneath her, that seemed to me to foam with light and darkness, as if we were rising above a landscape of hedges and moonlight and shadows: a mountain, a sea that formed and grew; it grew and grew; and she said "OH!" and "OHHHH!" almost with vertigo, as if she were airborne but unsteady on the vans of her wings, and as if I were there without wings but by some magic dispensation and by some grace of familiarity; I thunked on and on, and she looked down and was frightened; the tension in her body grew vast; and suddenly a great, a really massive violence ran through her, but now it was as if, in fear at her height, or out of some automatism, the first of her three pairs of wings began to beat, great fans winnowingly, great wings of flesh out of which feathers grew, catching at the air, stabilizing and yet lifting her: she whistled and rustled so; she was at once so still and so violent; the great wings engendered, their movement engendered in her, patterns of flexed and crossed muscles: her arms and legs and breasts echoed or carried out the strain, or strained to move the weight of those winnowing, moving wings. Her breaths were wild but not loud and slanted every which way, irregular and new to this particular dream, and very much as if she looked down on great spaces of air; she grabbed at me, at my shoulders, but she had forgotten how to work her hands; her hands just made the gestures of grabbing, the gestures of a well-meaning, dark but beginning to be luminous, mad, amnesiac angel. She called out, "Wiley, Wiley!" but she called it out in a whisper, the whisper of someone floating across a night sky, of someone crazily ascending, someone who was going crazy, who was taking on the mad purity and temper of angels, someone who was tormented unenduarbly by this, who was unendurably frightened, whose pleasure was enormous, half human, mad. Then she screamed in rebuke, "Wiley!" She screamed my name: "Wiley!" - she did it hoarsely and insanely, asking for help, but blaming me, and merely as exclamation; it was a gutter sound in part, and ugly; the ugliness destroyed nothing, or maybe it had an impetus of its own, but it whisked away another covering, a membrane of ordinariness - I don't know - and her second pair of wings began to beat; her whole body was aflutter on the bed. I was as wet as - as some fish, thonking away, sweatily. Grinding away. I said, "It's O.K., Orra. It's O.K." And poked on. In midair. She shouted, "What is this!" She shouted it in the way a tremendously large person who can defend herself might shout at someone who was unwisely beating her up. She shouted - angrily, as an announcment of anger, it seemed - "Oh my God!" Like: Who broke this cup? I plugged on. She raised her torso, her head, she looked me clearly in the eye, her eyes were enormous, were bulging, and she said: "Wiley, it's happening!" Then she lay down again and screamed for a couple seconds. I said a little dully, grinding on, "It's O.K., Orra. It's O.K." I didn't want to say Let go or to say anything lucid because I didn't know a damn thing about female orgasm after all, and I didn't want to give her any advice and wreck things; and also I didn't want to commit myself in case this turned out to be a false alarm; and we had to go on. I pushed in, lingered, pulled back, went in, only half on beat, one-thonk-one-thonk, then one-one-one, saying, "This is sexy, this is good for me, Orra, this is very good for me," and then, "Good Orra," and she trembled in a new way at that, "Good Orra," I said, "Good...Orra," and then all at once, it happened. Something pulled her over; and something else gave in; and all three pairs of wings began to beat: she was the center and soucre and the victim of a storm of wing beats; we were at the top of the world; the huge bird of God's body in us hovered; the great miracle pounded on her back, pounded around us; she was straining and agonized and distraught, estranged within thi corporeal-incorporeal thing, this angelic other avatar, this other substance of herself: the wings were outspread; the thundered and gaspily galloped with her; they half-broke her; and she screamed, "Wiley!" and "Mygodmygod" and "IT'S NOT STOPPING, WILEY, IT'S NOT STOPPING!" She was pale and red; her hair was everywhere; her body was wet, and thrashing. It was as if something unbelievably strange and fierce - like the holy temper - lifted her to where she could not breathe or walk: she choked in the ether, a scrambling seraph, tumbling and aflame and alien, powerful beyond belief, hideous and frightening and beautiful beyond the reach of the human. A screaming child, an angel howling in the Godly sphere: she churned without delicacy, as wild as an angel bearing threats; her body lifted from the sheets, fell back, lifted again; her hands beat on the bed; she made very loud hoarse tearing noises - I was frightened for her: this was her first time after six years of playing around with her body. It hurt her; her face looked like something made of stone, a monstrous carving; only her body was alive; her arms and legs were outspread and tensed and they beat or they were weak and fluttering. She was an angel as brilliant as a beautiful insect infinitely enlarged and irrevocably foreign: she was unlike me: she was a girl making rattling, astonished, uncontrolled, unhappy noises, a girl looking shocked and intent and harassed by the variety and viciousness of the sensations, including relief, that attacked her. I sat up on my knees and moved a little in her and stroked her breasts, with smooth sideways winglike strokes. And she screamed, "Wiley, I'm coming!" and with a certain idiocy entered on her second orgasm or perhaps her third since she'd started to come a few minutes before; and we would have gone on for hours but she said, "It hurts, Wiley, I hurt, make it stop..." So I didn't move; I just held her thighs with my hands; and her things began to trail off, to trickle down, into little shiverings; the stoniness left her face; she calmed into moderated shudders, and then she said, she started to speak with wonder but then it became an exclamation and ended on a kind of hollow note, the prelude to a small scream: she said, "I came ..."
by Harold Brodkey, from "Innocence" (from the book Stories in an Almost Classical Mode: [Buy it]Labels: brian
posted by Brian
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