Friday, August 25, 2006
 
AFRICAN DREAM
Young Tiger
London is The Place For Me 3: Ambrose Adekoya Campbell
Honest Jons Records : 2006
[Buy It]

OMINARA
African Rhythm Brothers
ZOO LAKE
KHAULEZA
Dorothy Masuka
HIGHLIFE PICCADILLY
The African Messengers
London is The Place For Me 4: African Dreams & The Piccadilly Highlife
Honest Johns Records : 2006
[Buy It]


A funny and terrible thing happened on the way to my liver last night. Also. two CDs arrived from Amazon UK:

Volumes III and IV of the awesome London is The Place For Me series, which is put out by UK's Honest Jons Records, and more or less unavailable here, and consists of British recordings of expat Africans and West Indians. Vol. III is devoted to Nigerian Ambrose Adekoya Campbell, the West African Rhythm Brothers, the Nigerian Union Rhythm Group, and - you get the idea.. Vol. IV mixes Africans - Dorothy Masuka, The African Messengers, etc. - with calypsonians like Young Tiger and Lord Kitchener. I'd tell you more, but really, I'm in no shape for it. So enjoy, and check in next week for the triumphant return of Megan Matthews, tracks from the forthcoming and hotly anticipated Modern Times LP, and dope rhymes from Ice Cube, Da Lench Mob, and the Coup. In the meantime, from the liner notes:
Singing in 1954 as Young Tiger, George Browne also invoked Afro-Caribbean tradition. In African Dream, he imagines his own triumphant return in the motherland, met by crowds with a fatted calf, and the ceremonial performance of a shango song - commonly known as Oken Karange - about prosperity and the coming of Ogun... His account is rueful, rapturous, and tongue in cheek, in equal measure, before the dream is rudely interrupted by the pressures of everyday iving in London, and Young Tiger finds himself half-asleep singing Oken Karange to his irate landlord.

"I picked up the original Yoruba chant from the shango churchesm tgere were four, in my neighborhood in Laventille, in the early 30s. Sometimes a feast in these tents would last for several days. They had three drums... three musical pitches - the comgo, the oumele (with two sticks, like a kettle drum), and the bass drum. Many, many songs, hymns you might call them, sometimes monotonous, building till someone got the power, then they might pass out, speaking in a different way, the spirits got them, a great spectacle. I used to think it was gibberish until I sang Karange once at a party in London. A Nigerian understoof what I was saying. An eye-opener for me."

Labels: ,



posted by Alex
LINK |