Monday, February 06, 2006
 
DESTINATION ANYWHERE
The Marvelettes
Motown : 1968
[Buy It]

The Definition of Love
- Andrew Marvell, 1681
My Love is of a birth as rare
As 'tis for object strange and high:
It was begotten by despair
Upon Impossibility.

Magnanimous Despair alone
Could show me so divine a thing,
Where feeble Hope could ne'r have flown
But vainly flapt its Tinsel Wing.

And yet I quickly might arrive
Where my extended Soul is fixt,
But Fate does Iron wedges drive,
And alwaies crouds itself betwixt.

For Fate with jealous Eye does see
Two perfect Loves; nor lets them close:
Their union would her ruine be,
And her Tyrannick pow'r depose.

And therefore her Decrees of Steel
Us as the distant Poles have plac'd,
(Though Loves whole world on us doth wheel)
Not by themselves to be embrac'd.

Unless the giddy Heaven fall,
And Earth some new Convulsion tear;
And, us to joyn, the World should all
Be cramp'd into a Planisphere.

As Lines so Love oblique may well
Themselves in every Angle greet:
But ours so truly paralel,
Though infinite can never meet.

Therefore the Love which us doth bind,
But Fate so enviously debarrs,
Is the Conjunction of the Mind,
And Opposition of the Stars.

Destination Anywhere
- The Marvelettes, 1967, written by Nick Ashford and Valerie Simpson
Said to the man at the railroad station:
'I want a ticket just for one'
He said 'Well, if you insist
But where you wanna go, miss?'

Destination, Anywhere
East or west, I don't care
You see my baby don't want me no more
And this old world ain't got no back door

He looked at me with a funny face and said:
'Are you sure you want to go just anyplace?'
I said 'If you ever loved someone the way I love that man,
Surely, Mr. ticket agent, you could understand.'

Destination, Anywhere -
East or west, I don't care.
You see my baby don't want me no more,
And this old world ain't got no back door.

Cause if it did, it would swing both ways
And I would go right back to happy yesterdays
When I loved him tenderly
And all he did was leave...

As I stood at the window of the train
I thought I heard my baby call my name.
But it was just the conductor saying
'Which stop would you prefer?'

Destination Anywhere,
East or west, I don't care,
You see my baby don't want me no more,
And this old world ain't got no back door.

To G., On The Occasion Of Our Broken Engagement
- Harris Conklin, February 2006
Dearest G., Let me say - modestly - you
Have unmade a great, though tired, man, who
Had only just glimps'd his summit, age fifty-two.
So you have dump'd me. I mean this: good for you.

I'm more man than I was before we start'd,
Yet what's left behind's much less than what's depart'd.
The best part of me - ugh, awful. I'm retard'd;
This, easily the worst poem I've yet , uh, undertaken.

Assam-stained mug; knuckled Pall-Mall butt, old Tamla 45;
The Penguin Book of English Verse, ed. Keegan, overdue;
Picked nostril; wrecked rhyme scheme; Conklin half-alive;
A study of this Flushing, Queens one-bedroom minus you.

I only read one poem, anymore: Marvell's Definition.
Spin solely Motown-mope, sweet Marvelettes' rendition.
(I only watch one film, too, Village of the Damned,
but that because the tape within my deck is jamm'd.)

Lordly Marvell, Hull's peer, Milton's savior: peerless;
And the Marvelettes' complaint - cosmic postmen won't deliver.
If Smokey Robinson's our 'greatest living poet' (says B. Dylan),
What of N. Ashford and V. Simpson? Not chopped liver.

Tilting on his axis, one beatnik -- aging, aching, stalling,
Grew horny hopes of untold planets realigning:
Mets winning pennants; critics melting; editors calling;
Bosom friend's prodigal in my arms; George resigning.

So - I boarded Fate's Tyrannick train: no shocker.
Bermuda honeymoon's scotched, at great cost:
Chlamydia, slipped disc, moldy Chinese takeout, chronic fatigue.
Lesson learned: Old beatnik shouldn't woo young rocker.
(Hey Ivan: clever travel agent told me hope's not lost:
Ticket's convertible: St. Pete! You, me, Grapefruit League!)
. . . . . . . . . .

Harris Conklin is the author of several out-of-print collections of poetry, including Antithetical Avenues and The Ghost of My Appetite, and an out-of-print diptych of novellas, entitled Nowhere/Near. His collaborative book on the New York Mets 2005 season, Believeniks!, will be published by Doubleday in March. He is eating a liverwurst sandwich.

. . . . . . . . . .

AIN'T NO TELLING
Jimi Hendrix
Axis : Bold As Love
Reprise : 1967
[Buy It]

Conk:

Your lugubrious doggerel is like an obsessive narrative graph of Major Depression. I couldn't help but envision the shallow, unkept grave into which you'd tumble, soaked to the skin in cheap alcohol and breathing opium into the rainy night. Few mourners: A debt-collector. A former graduate student laden with unpublished manuscript pages. The owner of your local liquor store. And that Chinese waiter we discussed: You betta off.

Though I sincerely believe this, I'm writing my daughter Gena now, I mean right now, even as I type this. I'm typing with my big nose on the one hand and my foot on the other and the other hands are busy being shipped to the 6th Precinct for safekeeping lest they attack the new girl down the hall with the wireless signal leaching into my hovel, a connection named, if I can believe AirPort's handy roster, "SEXXXY PHD." If ever there was a match made in heaven, here it is. She went to a girls' school somewhere, you know the type, and needs earnest re-indoctrination under my tutelage. Under the yum-yum tree indeed.

But hey, right, my daughter. You think you lost your love, but I saw her yesterday: I think what you need is to understand that the burden of bearing every love-impulse of our foremost poet-monk is starting to make her shoulders shudder. The phone ringing constantly, the fresh flowers piling up on her little tiny formica table, the chocolates making the sebaceous oil burst forth from the still-nubile pores of her lovely face. Have you stood beneath her window and sung a song of love yet, accompanying yourself on a small guitar? She almost lost her mind.

Give her a break. Give me a break. Let's go Mets. Carol Lynley lives. I'm writing her now.

Meanwhile, Jimi feels your pain.
-Felt

. . . . . . . . . .

FEEL THE NEED
The Detroit Emeralds
Feel The Need
Westbound : 1974
[Buy It]

Gena,

I talked to the "old dope" (this is a term of endearment, right?) and endeavored to forge an understanding with him vis a vis the separability issue, i.e., that he is an individual being not connected to you by tissue, plastic tubing, or various small personal communication devices that peep, cheep, and beep while hiding themselves like shy microchip creatures in the folds of our clothing. (The guy actively militated against cell phones until, like, August; now he schleps around a BlackBerry, a phone, a pager, a PDA, and a starter's pistol: all the fiery zeal of the newly converted!) I thought he was the type to enter the seminary later in life; instead he's entered -- never mind. A father doesn't consider these possibilities. Except with Carol Lynley, fresh from the sluttiest of the Seven Sisters. (Does your wireless network have a name, by the way? Consider calling it "Ugly Librarian.")

Anyway, can you do me the big favor of stocking that amethyst-colored head of yours with some forebearance, some patience, some sense of the incredible pent-up demand dammed up in the guy after spending the last forty years writing sestinas to avoid facing himself as a man, the test we fail and fail again. (And I don't mean Qualifying Orals.) Which is a shame, because he would have been good at it, facing himself, being a man, and I think he's getting to be good. He just doesn't have the lightest touch yet. Your willingness to endure his bullish efforts to bore a hole into your heart like a worm into a chunk of edam would save him from many miserable hangovers in the grips of these hideously down-market blended whiskeys he likes, and save me from navigating the IRT to go save him from the fungal cocoon of his apartment. In Queens. Need I say more. Just imagine the poor Old Dope singing this song. It's one I've always turned to myself during those dark nights of the soul. Even with your momma, The Shark.

Don't tell.
Your papa.

. . . . . . . . . .

Ivan Felt is co-author of Believeniks!, Distinguished Professor of Commodity Aesthetics at Hunter College, and the author of several books, including the standard college text, The Stiff-Necked Adversary of Thought.


posted by Alex
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